Jane Austen enjoyed
the works of Charlotte Smith,
Samuel Richardson, Henry Fielding, Matthew Lewis,
Fanny Burney, and Maria Edgeworth
(to whom she sent a copy of Emma,
before it was released to the public). Maria's father, Richard
Lovell Edgeworth, was a friend of Jane's aunt and uncle. Most,
if not all, of these authors are referred to in Austen's novels.
Austen's only gothic contribution is a satire, Northanger
Abbey. From this we may obtain a list of popular gothics
of the period, the so-called Northanger Canon, which is given to
the heroine as recommended horrid reading.
Although Charlotte
Brontë found her cold, writing the
Passions are perfectly unknown to her; she rejects even a speaking acquaintance
with that stormy Sisterhood.
Austen had many admirers, among them Sir Walter
Scott who believed she possessed that
exquisite touch which renders ordinary commonplace things and characters
interesting.
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The
Northanger Canon: The Mysteries of Udolpho and
The Italian by Ann
Radcliffe; The Castle of Wolfenbach;
or the Horrid Machinations of the Count Berniti
and The Mysterious Warning, a
German Tale, by Eliza Parsons; Clermont.
A Tale, by Regina Maria Roche; The
Necromancer; or, The Tale of the Black Forest, by Karl
Friedrich Kahlert; The Midnight Bell. A German
Story, by Francis Lathom; The
Orphan of the Rhine. A Romance, by Eleanor Sleath
and The Horrid Mysteries. A Story From the German
Of The Marquis Of Grosse, by P. Will.
Also referred to in the novel are: Matthew Lewis' The Monk, Fielding's Tom Jones, Richardson's Sir Charles Grandison, Maria Edgeworth's Belinda, and Fanny Burney's Camilla and Cecilia. |
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